About Services IP Licensing and Assignments Copyright & Trademark Law Music, Film, and TV Contracts Production Legal and Insurance Music Sample and Copyright Clearance CRM & Music Publishing Internet Law Personal Brand & NIL Rights Literary and Author Publishing Deals Resources The Zala IP Law Blog Resource Downloads Contact Call 404-313-1701

Home  /  IP Licensing  /  Trademark License Quality Control

Why does a trademark license need quality control?

Because federal law treats a licensee's use of your mark as your use only when you control the nature and quality of the licensed goods or services. With real control, the licensee's sales build and protect your rights. Without it, the license can weaken the mark, and a trademark owner who fails to control its licensees risks being found to have abandoned the mark.

Creators and brands license their names and logos for merchandise, collaborations, franchises and regional partners. Our page on IP licensing and assignments makes the point briefly: a trademark license without meaningful quality control risks being treated as a "naked license." This page explains the rule behind that warning, where it sits in the Lanham Act, how the USPTO applies it, and what control looks like in a working license.

How the rule works, step by step

  1. The licensee becomes a "related company." The statute defines a related company as "any person whose use of a mark is controlled by the owner of the mark with respect to the nature and quality of the goods or services" (15 U.S.C. 1127).
  2. Its use counts as yours. Legitimate use by related companies "shall inure to the benefit of the registrant or applicant," and does not affect the validity of the mark or its registration, provided the mark is not used to deceive the public (15 U.S.C. 1055).
  3. Even first use can be the licensee's. If a licensee's first use is controlled by the owner as to nature and quality, that first use inures to the owner (1055). The USPTO accepts that ownership can be acquired and kept "even when the only use of the mark has been made, and is being made, by the licensee" (TMEP 1201.03(e)).
  4. Without control, the link breaks. Use that the owner does not control is not related-company use, and the TMEP warns that an owner "who fails to exercise sufficient control over licensees or franchisees may be found to have abandoned its rights in the mark."
  5. Abandonment ends the rights. A mark is abandoned when the owner's course of conduct, including omissions, causes it to become generic or "otherwise to lose its significance as a mark" (section 1127).

What counts as control?

The USPTO's guidance is practical. "In all franchise and license situations, the key to ownership is the nature and extent of the control by the applicant over the nature and quality of the goods or services with which the mark is used." Control over all of the licensee's affairs is not required. A formal written license is neither necessary nor, on its own, enough: the TMEP says "the critical question is whether the applicant sufficiently controls the nature and quality of the goods or services" (TMEP 1201.03(c)), and that a controlled license may be recognized "whether oral or in writing" (TMEP 1201.03(e)). In other words, paper helps prove control, but only exercised control counts.

Quality control tools in a trademark license
ToolWhat it looks likeWhy it matters
StandardsWritten specifications for materials, service levels or productionDefines the "nature and quality" the statute refers to
Pre-launch approvalOwner signs off on samples, packaging and artwork before saleShows control over first use (15 U.S.C. 1055)
Inspection and samplingRight to visit, test products, or receive production samplesLets the owner verify standards are met
Correction and terminationRight to require fixes, stop shipments, or end the licenseGives the control teeth
Use guidelinesCorrect form of the mark, notices, co-branding rulesKeeps the mark functioning as a source identifier
RecordsApproval logs, inspection reports, correspondenceProves control was exercised, not just written

How does the USPTO treat licensed use?

The USPTO is accommodating at the application stage. An applicant may rely on use by a licensee, and if the application says the mark is used by a licensee and nothing in the record contradicts the claim of ownership, the examiner will not ask how the applicant controls the use (TMEP 1201.03(a), (e)). Two limits matter, though. A licensee cannot claim ownership: if the record identifies the applicant as a licensee, the application is refused because the applicant is not the owner (TMEP 1201.04). And "a mere licensee cannot rely on use of the mark by the licensor, whether through the license or otherwise, to establish priority" (TMEP 1201.03(e)). The specimen filed with a statement of use or a renewal can show the licensee's goods, so the licensor needs to know what the licensee is actually selling; our page on specimen refusals explains what a specimen must show.

What else should a trademark license say?

Quality control sits inside a larger document. A license that holds up usually covers:

  • The grant. Which marks, for which goods or services, in which territory, for how long, and whether it is exclusive. Tie the goods to the registration's identification where possible.
  • Ownership acknowledgment. The licensee accepts that the licensor owns the mark, that all use inures to the licensor (the result section 1055 gives controlled use anyway), and that the licensee will not apply to register the mark or anything confusingly similar.
  • Quality and approvals. The standards, approval steps, inspections and samples in the table above, with timelines so approvals do not stall production.
  • Money and reporting. Royalty base, deductions, statements and audit rights, the variables our main licensing page treats in detail.
  • Enforcement. Who acts against counterfeiters and infringers, and at whose cost. The infringement claim for a registered mark belongs to the registrant and its successors and assigns, so a licensee's role should be spelled out, as our page on whether a licensee can sue an infringer explains.
  • The end. Termination for breach and for repeated quality failures, a defined sell-off period for approved stock, and what happens to molds, artwork and inventory.

The USPTO will record a license to give third parties notice of the interest (TMEP 503.02), though recording is optional and does not change the owner of record.

What changes the answer

  • Affiliates are not automatically related companies. Corporations are not related companies merely because they share stockholders, directors, officers or premises, and sister subsidiaries of one parent are not related unless one controls the other's quality (TMEP 1201.03(c), (d)). Family and founder-owned groups often get this wrong.
  • Wholly owned subsidiaries. Either a parent or a wholly owned subsidiary may own the mark, but once one files, the USPTO will not accept filings in the other's name, and ownership changes only by assignment (TMEP 1201.03(b)). Our page on recording a trademark assignment covers that step.
  • Franchises. Franchisees operating under franchise agreements are related companies, and their use inures to the franchisor (TMEP 1201.03(e)).
  • Pending applications. Licensing before registration works the same way; our page on licensing a trademark that is still pending covers the timing.
  • Settlement and coexistence deals. An agreement letting another business use a similar mark is not always a license. If it is meant to be, it needs control; if it is meant to be coexistence, it should say so, as our page on trademark coexistence and consent agreements explains.
  • Licensor bankruptcy. In Mission Product Holdings v. Tempnology (2019), the Supreme Court held that a debtor's rejection of a trademark license in bankruptcy has the effect of a breach and cannot rescind rights the license already granted; the debtor had argued it would otherwise have to keep monitoring the licensee's goods or risk the mark (587 U.S. 370). Our page on what happens to an IP license in bankruptcy covers the rest of section 365.

A worked example

For example, suppose an Atlanta hip-hop artist owns a federal registration for her stage name for clothing and licenses it to a merchandise company for a three-year line of hoodies, caps and tour shirts. The license says products must "meet reasonable quality standards" and nothing more, and no one at the artist's company ever sees a sample.

A year in, fans complain about shrinking shirts and misprinted logos, and the merch company starts selling the name on products the artist never discussed. The artist has a written license but no exercised control. Her sales history under the mark is now largely the licensee's, and the evidence that it inures to her benefit is thin.

A better license sets fabric and print standards, requires approval of every new product and design before production, gives the artist the right to pull nonconforming stock and to end the deal for repeated failures, and sets the correct form of the mark on labels and hang tags. Her manager keeps an approval log. Our page on trademark classes for merchandise licensing covers the filing side of the same deal. Our page on trademarking a band or artist name covers the registration.

Common mistakes

  • A control clause nobody uses. The TMEP looks at the nature and extent of control actually exercised.
  • Licensing "everything." A license for any product the licensee chooses makes it hard to show control over quality.
  • Letting affiliates use the mark informally. Shared owners do not make companies related; control does.
  • No exit. Without correction and termination rights, an owner cannot stop poor goods.
  • Forgetting co-branding. Collaborations need rules on how each party's mark appears, which our post on IP licensing for creators and brands discusses from the creator's side.
  • Ignoring the abandonment clock. If the licensee stops selling, the owner's use stops too; our page on losing a trademark by not using it explains the three-year presumption.

What to do this week

  1. List every party using your mark: licensees, affiliates, franchisees, collaborators and distributors.
  2. For each, find the agreement, or note that there is none.
  3. Check that each agreement defines quality standards, approvals, inspection, correction and termination.
  4. Ask each licensee for current samples or photos, and log the review.
  5. Set a recurring review: new products, new packaging, annual sample checks.
  6. Paper informal arrangements with a short written license that reflects the control you exercise.

Frequently asked questions

What is a "naked license"?

It is a common name for a trademark license with no meaningful control over quality. The statute's concern is that uncontrolled use can make a mark lose its significance, which section 1127 treats as abandonment.

Does a trademark license have to be in writing?

No. The TMEP says a controlled license may be recognized whether oral or in writing, and that a license can even be implied. A written license is still the easiest way to prove the control.

Do I have to control every part of the licensee's business?

No. The TMEP says control over all of the related company's affairs is not required; what matters is control over the nature and quality of the goods or services sold under the mark.

Can my licensee register the mark?

No. The owner who controls quality is the only party who may apply. If the record shows the applicant is only a licensee, the USPTO refuses registration (TMEP 1201.03, 1201.04).

Is quality control the same as approving designs for copyright?

No. Copyright licenses, covered on our page on whether a copyright license must be in writing, have no equivalent quality control rule. A merch deal usually licenses both the trademark and the artwork, so both sets of rules apply.

How does this apply to name and likeness deals?

When a personal name is also a trademark, the trademark rules apply alongside publicity rights, which our page on personal brand, NIL and publishing covers.

Zala IP Law drafts and reviews trademark licenses, merchandise and collaboration agreements for creators and brands, and Shreepal J. Zala practices federal intellectual property law nationally. If others use your mark, request a consultation or call 404-313-1701.

IP licensing and assignments

Your mind is your property.Protect it today.